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RĀGĀKIT
Daylight · Joy · Carnatic
Madhyamavati
Auspiciousness; closes concerts
MIDI files
Files are in Sa = C and loop on whole bars. Drag them onto a track in your DAW. The WAV uses the instrument you picked above. Free to use in your releases, royalty-free.
Plays the raga's ascent (aroha) and descent (avaroha), which often skip or zigzag through notes. Tap any key to hear it.
Good to know
Traditionally sung at the end of a Carnatic concert, as a blessing.
A 5-note raga, called audav in classical terms.
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Its notes are the same as the suspended (Egyptian) pentatonic scale.
Spotted a mistake? Corrections from musicians are very welcome in the feedback box below.
Movement
Aroha (up)
SRMPnSC D F G B♭ C
Avaroha (down)
SnPMRSC B♭ G F D C
Notes of Madhyamavati
Sargam
S
R
M
P
n
S
Western
C
D
F
G
B♭
C
Solfège
do
re
fa
so
te
do
Signature phrase
SRMPnS,SnPMRS
C D F G B♭ C · C B♭ G F D C
A phrase that marks this raga's character. Singers add gamakas (ornaments) that a keyboard can't show, so treat the MIDI as the shape and add your own bends and feel.
Practice singing
RāgāKit sings each note in sargam (Sa, Ri, Ga, Ma…), then listens while you sing it back. Turn on the Drone for a steady Sa, and use headphones if you can. Your voice is analysed on this device only: nothing is recorded or sent.
–
flat
sharp
Sing any note…
Chords that fit
Every chord uses only this raga's notes. Ragas are traditionally played over a drone, so these are for fusion, film and accompaniment. Tap a chord to hear it.
Home chords: they contain Sa, so they sit best under the melody
Other chords for movement
Why these chords fit
Every chord is built only from the raga's own notes (for example Csus4 = Sa – Ma – Pa), so it won't clash with the melody.
The chord on Sa, Csus4 (Sa – Ma – Pa), is open, neither major nor minor, because the raga has no Ga to decide it.
Madhyamavati leaves out Ga and Dha, so chords that need those notes aren't offered. Where a major or minor chord doesn’t fit, a sus chord stands in.
Its altered note is komal Ni. Chords that contain it (Gm and B♭) carry the raga's colour: use them for mood, then return to a home chord.
Home chords contain Sa, so they agree with the tanpura drone and feel settled. The others move away from Sa and pull back toward home, which is what makes a loop feel like it's going somewhere.
A simple loop to start:Csus4 → Gm → B♭ → Csus4
Fusion: genres that fit
Suggested from the raga's notes and mood. Start here, then break the rules.
AmbientFree or 60–80 BPM
Long pads on Sa and Pa, lots of reverb, a few notes at a time.
Progressive house / EDM124–128 BPM
Big chords from the home chords, the aroha as a lead for the drop.
Lo-fi hip hop70–90 BPM
Dusty drums, soft keys on the home chords, the melody on bansuri or sitar.
Tell me what helped and what's missing. It goes straight to the person building this and stays private. It's anonymous: no name or email needed. Want news of new ragas and packs? Use the email sign-up at the bottom of the page.
Sa is set to C. Lowercase sargam (r g d n) means komal or flat; M' means tivra or sharp Ma. Solfège uses movable do, so do is always Sa. A dot below a note means the lower octave; a dot above means the upper octave.